Maja Rivić, glas / vocal
Tena Novak Vincek, violina, glas / violin, vocal
Grgur Savić, alt saksofon / alto saxophone
Mak Murtić, tenor saksofon / tenor saxophone
Igor Pavlica, truba / trumpet
Nika Bauman, flauta / flute
Dani Bošnjak, flauta / flute
Marko Grbac, elektronika / electronics
Nenad Sinkauz, električna i midi gitara, live elektronika / electric and midi guitar, live electronics
Neven Radaković, fender rhodes
Leo Beslać, sintesajzer / synthesizer
Luka Čapeta, električna gitara, efekti, noise box “slike” / electric guitar, fx, noise box “slike”
Josip Šustić, električna gitara, efekti / electric guitar, fx
Pavle Jovanović, električna gitara, efekti / electric guitar, fx
Alen Sinkauz, električna bas gitara, efekti, vinyl scratch / bass, fx, vinyl scratch
Kaja Farszky, marimba, gong, crotales, timpani, činele / cymbals
Nenad Kovačić, udaraljke / percussion
Marco Quarantotto, bubnjevi / drums
Rio Sinkauz, semplirani glas / sampled voice
Maja Rivić, Neven Radaković, Leo Beslać, Pavle Jovanović, Josip Šustić, Luka Čapeta, sound painteri / soundpainters
Snimljeno / Recorded: Uživo na Muzičkom biennalu Zagreb, Dvorana Gorgona Muzeja suvremene umjetnosti u Zagrebu, 18. travnja 2023. / live at Music Biennale Zagreb, Gorgona/Museum of contemporary art, 18th of April 2023
In My Next Life I Want to Be a Feedback is a call to open-minded listening, as well as the title of the first, live-recorded LP by the Croatian Improvisers Orchestra (abbr. CRIO). Working in the inspirational spaces of Društveni centar Rojc in the city of Pula, this collective bases its musical output on experimental, conceptual and gameplay composition, leaning on multidisciplinary artistic practices such as Conduction and Soundpainting (devised by Lawrence Butch Morris and Walter Thompson, respectively). CRIO comprises some of the most distinguished individuals in the field of improvised, experimental, contemporary, and post-genre music, who, either as musicians, authors, and performance artists of different affinities, or as initiators of various platforms and organisations, as well as ensemble leaders, actively participate in weaving a new, defining tissue of the most exciting aspect of contemporary musical and cultural development both within and beyond the borders of Croatia. The ensemble recorded their performance in Gorgona Hall as part of the 32nd Music Biennale Zagreb. The performance, which has also been broadcast on Croatian national television, offers one of the many sonic reflections of their stylistically heterogeneous creative and multifacetedly important artistic work.
(Karolina Rugle)
Cantus, 2024.
88924508029
LP
