The trademark of the collection of the comparatively recent croatian piano miniatures is a peculiarly concealed yet indicative yearning for the return of tonality at the peaks of tonal fractures of all compositions of shapes sound frameworks there comes a crucial halt from wich emerges the noble head of triple chord keynote each of these been achieved differently and each work. (Dubravko Detoni)
Cantus, 2001. 988 984 911
